Flóra Pálhegyi (b. 1989) has a strong attitude towards visual thinking and experimenting. It is typical of her artistic practice to use graphic elements on unusual materials and in irregular enviroments, also to investigate the relation between plane surfaces and spatial settings.Besides of the instinctive, intuitive gestures, conceptuality is equally significant.

Her centre of interest is the combination of the personal-anecdotal qualities with collective
experiences. Interactions come to life at the conjuncture of private and public functions as identificational practices, but here identity is not used as a political position, rather as a tool for experiencing intimacy. Recurring themes are the tragedy of the social constructedness of womanhood, the possibilites in the banality of every day life and the creation of subjective history. 

Apart from her solo projekts, collaborative, interaction based works have the same importance in her work.